Annihilation

annihilation

To annihilate something is to obliterate it; to cause something to cease existing. Such a finite word, such a fine word, don’t you think? The complete destruction of a thing. There is a menacing beauty in the complete erasure of a noun. This menacing beauty is captured in the enchanting work of Alex Garland (Ex Machina) in the newly released Annihilation. Adapted from the book of the same name, Annihilation is told to us in a disorienting non linear fashion. Lena’s husband has been gone for a year, Lena is in a clean room being interrogated and unable to remember things clearly, Lena explores a secret zone of national park that has been closed down due to the effects of a meteor. There is much that Lena (Natalie Portman) doesn’t know and the switching between time lines non chronologically makes for a perplexity on par with subject matter that is the cause for everything in Annihilation. The way that this movie and everything in it is shot makes for a dazzling and terrifying and smart film.

The dazzling:

The Shimmer is a biosphere like dome that is slowly expanding and enveloping the lands around a lighthouse which was hit by a meteor. The teams that go in to the Shimmer don’t return so no one has been able to gauge what goes on inside. We journey with an all female team of scientists to see what is on the other side. Three years have transpired since the initial impact and in that time the life inside the Shimmer has had time to grow and thrive in a beautifully alien way. Every shot of the environment inside somehow contains a rainbow whether in light or in flora and fauna. The scenery is at times scary and yet beautiful at the same time. There is a scene in a drained swimming pool that shows death and life intertwined so organically and you sit there thinking about how breathtaking what you are looking at is…and then you remind yourself what you are looking at…and its terrifying.

The terrifying:

The amount of times I realized that I was holding my breath was pretty high by the end of this film. “The monster” is so thoroughly portrayed and yet still unable to be understood. Crocodiles, bears, each other, and on and on…the tricks that this film play on your mind are never ending. One thing that I loved was that you would start to feel comfortable as an audience member, thinking that there was a definite genre path that a scene was taking and then all of a sudden something totally different would happen (again with the disorienting) and you would be left speechless or scared. Garland does not over explain Anything. This is one of the most well paced part one films that I feel like I’ve seen in a while. By the end we are left with as many questions as we had in the beginning, if not more. The enigma that is the Shimmer is so appropriately otherworldly and as we are taken deeper and deeper in we see an endless amount of possibilities that revolve around the very make up of life on Earth. Biology and DNA are used to explain terrifying sights, psychology is used to explain the terrifying behavior of humans under extreme circumstances, nature is used to show us how terrifying our lack of understanding is. All of these elements combined with the twisty turny track of the film are able to terrify while giving us a story that is so smart.

The smart:

As mentioned above, the pacing of this movie and the amount of information we are given is phenomenal. There was not a lot of clunky exposition and at times you just have to accept that there are some things you might not know. In my head throughout the film I kept thinking things like, “ya but what about…x…” and then the story would be moving on and you would just have to wonder about it. I think that that adds fuel to the terrifying aspect to the film too. In addition to the plot of the story, the way in which Garland directs and shows us the story is so thoughtful. There is a scene that is shot with the visual focus on the other side of a water glass. The image is distorted by the water. Tiny things like this are peppered throughout the whole of Annihilation tying in the theme of disorientation in every way possible. But what is good writing and amazing visuals without a great cast rounding things out? The expedition team that we follow is made of five women who are strong and smart and not led by any men. While the number of characters in the film as a whole is pretty small, only like three of them are men. The women carry and lead this film in a wonderfully strong way. They are smart and refreshing and pass the Bechdel test with flying colors.

There is so much more I want to say about Annihilation however I don’t know how to go further without giving any major spoilers and this is a film that really needs to be seen and not spoiled. I’ve heard that the book is pretty different from the film. I’ve definitely added the trilogy to my reading list (you can read more about the Southern Reach Trilogy here). Do yourself a favor: see this movie.

World building whimsy

The best part of getting lost in a world (be it through a book or a film) is that anything can happen. Certain storytellers have the ability to submerge their audience in world’s that can be very similar to ours or very, very different. It is not just that full characters are created or that the story line is well thought out and planned, it is that every aspect of the world is notably considered and taken into accordance within the story’s unfolding. A writer who is able to convey the mores of a culture which they’ve created or enhanced without shoving it down your throat via clunky exposition is a talented one indeed. This is most evident of series in that there is so much more time for customs to be laid out and histories to be relayed. Tolkien took up volumes with the detailed history of a whole land as did Paolini. Lewis built his world volume by volume which allowed for a slow expansion and understanding of the world in which Narnia existed. I think this is why The Magician’s Nephew has always been my favorite. This world building is something that I am noticing more and more as I tear through the Game of Thrones saga (I’m currently in book three) and also something I noticed recently while watching the latest installment of Disney’s Pirates of the Caribbean films. I realize I may lose some of you there. What?! The Pirates movies are being thought of in the same breath as GoT?! Hear me out, lovelies.

When considering a fully realized world, we are able to recognize geography and history yes but there is something else that is also important. The rules of the reality of this alternate-verse are very important to establish so that the author knows what is and isn’t possible and so does the viewer/reader. Rules within a world establish these parameters so that characters experience events with logical outcomes, so that there is a reason when crazy events happen, and so on. What got me thinking about the importance of this was watching the latest (and hopefully last (although through my research I see it won’t be the last)) installment of the Pirates movies.

Over the course of the five films that make up this series there are many things that happen that in our reality would not be possible. From the very beginning of the first movie we are let known that curses and magic are real. This is evident even from the title: The Curse of the Black Pearl. Thus begins our education into this world. We are taken in to a time that existed (early to mid 1700’s) and a place that is real (the Caribbean) however the reality is altered from ours. Having Will Turner (Orlando Bloom) as our primary guide through the events of the first film, we learn as he does about the lives of pirates. To start, Turner is pretty landlocked in his life and does not know much about pirate culture. It is only once his love Elizabeth Swann (Kierra Knightly) is abducted by pirates does he get pulled in to the mysteries of the sea. We see with Will that curses are not to be trifled with and that they are indeed very real. Once out at sea, we learn that most of the terrifying tales told by sailors have some sort of basis in the sea’s reality. Monstrous creatures of lore like the Kraken do exist and the boogiemen of your dreams like Davy Jones are real and perfectly able to getcha! As we adventure along with Turner and Jack Sparrow (Johnny Depp) we almost become used to the fact that, yeah, of course they’re encountering monsters. Because of this I feel we almost become jaded in a sense through to the latest installment in which our leading lady Carina Smyth (Kaya Scodelario) is thrust into the mystical world that revolves around Jack Sparrow. There is a point when Carina finally sees something supernatural. She screams and runs out of the water and up the shore shouting that ghosts are real. An appropriate reaction, honestly.

This moment is what really got me paying attention to the world within these films. Because of this moment I realized how prevalent these mystical adventures are in the lives of our leading men and I realized something else too: they all take place far out at sea. We are along for the ride with these men seeing pirate royalty convene for a summit; witnessing undead men, monkeys, and sharks; boarding ships that have been sunk for hundreds of years. These things are very real in this world however there is a whole population who is unawares of their existence. This is a part of the rules of this world. Creatures whose presence cannot be explained shock those who are not used to them (which is again, appropriate). Even when a character becomes used to these things and is part of the pirate life there are still instances where one of them will see something and have wtf moment.

Pirates image

Another saga that I am currently immersed in is that of A Song of Ice and Fire. With five books published and seven total promised, George R. R. Martin has created a whole universe with its own precedence and standards. The history of Westeros and the surrounding lands extends for thousands of years and with one continent and many island countries, the make up of these lands is vast. In fact, there is so much history to cover that in addition to the primary novels that make up the saga ASoIaF, there are also several novellas that give us further knowledge of different times within this world that we come to know so well. Because there are many houses and each of them have their own pasts (in  addition to a global history of wars and times of peace) there is an endless amount of possibilities for characters we already know and for those whom we have not met. But again, it is not the characters that make the rules of the world.

Much like our world and that of the world in Pirates, there are laws of reality that must be followed. Due to the fact that there are many different cultures that we are encountering, there are several different realms in which people exist. Those who live in the far North have very different lives than those who live in the far South and very different again from those who are Dothraki or Lyseni. While there are many different realms there still is only one reality within which everyone operates. It is established within the prologue of the very first book that otherworldly magic exists but is not wholly understood by persons at large.

Something interesting that Martin has done in this land is to establish that there are old gods, ancient myths that revolve around the First Men; new gods, known as the seven; and a Lord of Light, who is very mysterious [and seems somewhat cultish]. I find this compelling as it is a small similarity to our own world in which many different religions and schools of thought exist. Because of this, we are able to see very quickly that the many different regions of this land operate under different beliefs. Most often the new gods are mentioned. Those who worship in this manner visit the Sept to pray to one god who is represented by seven faces seen as the Mother, Maiden, Warrior, Father, Crone, Stranger, and Smith. Each of these are prayed to for different reasons: to keep a son safe in battle, to keep a woman safe during childbirth, etc. Then there are the old gods, worshiped in the North by the first men and by some who live still. There is a magic in this belief; a connectivity to the forest and all its creatures. The wierwood trees in the forests and in the godswoods of castles and forts create a conduit of sorts for these gods to see through and be prayed to. Lastly, there is the Lord of Light, who is said to show his true believers the way if they stare into the flames of fires. The character Melisandre is who [largely] leads us through our knowledge of this particular religion and because it is not widely known or practiced in Westeros, many men distrust this vein of thought and see it as witchcraft. That last bit is interesting. The fact that the Lord of Light’s followers are mistrusted because of their “devil worship” or “sorcery” draws attention to the fact that magic is not something that is trusted in this land. The gods of old seemed to posses some magic but their times are long gone and there doesn’t seem to be any magic left in the world. That is, until dragons are born and a crippled boy becomes the keeper of knowledge past and present.

Aside from religion, there are other aspects of the world of Westeros that are outlined to establish the world. In battle, men die (whereas as pointed out above in the Pirates world, ghosts exist). There is a hierarchy that exists by which the land is governed. Despite the fact that there is a very large scale war going on for the Iron Throne, there is a system in place: lords, wardens, etc. Culture is explored through songs sung by bards and tales told around the campfire. It is fascinating to me how deep and rich the history of this land is.

GoT image

Getting lost in a world that is not our own is part of what makes reading and watching movies so compelling. We are able to escape our lives for a span of pages/the run time of a film and truly be somewhere else. The greatest storytellers create fully realized settings to further allow for this escape and totally submerse their audiences. While it might be easy to create a tale, coming up with the entire world is what makes the escape successful. Whether it is building the world from scratch (example: Lord of the Rings) or slightly altering our reality to make it their own (example: Inception), an author who takes the time to think out all aspects of their world is a skilled one indeed.

Midnight Special

The movie opens even as the production logos are still occurring with a voiceover of an Amber Alert being broadcast on TV.

Fort Worth, TX

8 year old male

white

Pan to: said white 8 year old sitting on the floor of a hotel room, under a sheet, reading Superman comics (intentionally done as these two films opened at the same time or funny little coincidence?). He seems perfectly at ease with his surroundings; not panicking or frantic as one would imagine a kidnapped child to act. When Alton (Jaeden Lieberher who got his start alongside Bill Murray in St. Vincent) is asked if he’s ready to go, he proceeds to the car with the men we assume are his captors. As they drive off into the night, the music hauntingly swells and it is apparent that we aren’t even close to knowing the full extent of what’s going on.

I went into Midnight Special without being too sure what I was about to see. Despite having watched the trailer and reading the synopsis a handful of times I was still unable to put in my own words what the movie was really going to be about. When this happens I’m even more excited for a film regardless of whether it turns out to be worth it or not.

As the film begins to unfold we are introduced to two additional threads of the narrative. First, there is a church which exists on The Ranch (think YZF/ The Fundamentalist and include all the terrible hair styles). These folks, led by Calvin Meyer (Sam Shepard), believe that Alton is their link to God who has been communicating to them a day of reckoning. Then, there are the federal agents who have been monitoring The Ranch and are very interested in the “predictions” Alton has told the good sheeple which are taken as the Word and turned into sermons. Two agents are our main liaisons to the government’s involvement in the story: FBI agent Miller (Paul Sparks) and Homeland Security agent Sevier (Adam Driver). These men are trying to understand not only the church’s involvement but also the unexplained phenomenon that seem to follow in the wake of Alton, his father (Michael Shannon), and their Texas Ranger turned personal bodyguard Lucas (Joel Egerton).

The race to reach a specific location at a specific time is what moves the plot along and eventually leads to the different threads being sewn into one quilt. Most of the action takes place at night since Alton’s otherness causes sunlight to freak him out. As a result the visual tone of the film is very dark and blue with the score adding tension in all the right places. Being that I had no idea what kind of ride this was going to be, I really enjoyed the journey and the plot points (for being sci-fi) didn’t seem too far fetched. The revelation of who/what Alton is was very interesting and the reveal at the end was, again, interesting. I have a great deal of trouble with the ending of many sci-fi films; they always seem to let me down a bit. I enjoyed this journey however which is as much about a family sticking together (the above mentioned fellowship is joined by Kirsten Dunst as Alton’s mother) as it is about the kid’s powers. The point of mom and dad being there and helping you through anything hits home when Alton tells his dad that he “doesn’t have to worry anymore.” To which dad replies, “I like to worry about you. It’s part of the deal.”

Midnight Special in copyThe movie is slow to unravel, giving you just enough information after one point is explained to hook you again with another head scratcher. The entire cast did a really good job, in particular Michael Shanon (who I feel could play a really good Christopher Walken should the world ever need a bio pic on the old man….or maybe just his younger brother in some gritty drama) and Jaeden Lieberher who’s calm and composure add to the eeriness of his character. I’d suggest you go in without any thought of thinking you know what’s going to happen and just let the story take you on this ride. Overall I’d say Midnight Special was a pretty good flick, a solid B.

I still, however, don’t really get how the title works into movie outside of the end credit song being “Midnight Special” by Creedence Clearwater Revival but oh well…